New Universal Intro Hd 1080p
Browse video templates by category, keyword, duration, or customization options. Whether you need a logo animation, a gaming intro, or something to promote your book club, INTRO MAKER HAS GOT A VIDEO TEMPLATE FOR YOU.
New Universal Intro Hd 1080p
Browse video templates by category, keyword, duration, or customization options. Whether you need a logo animation, a gaming intro, or something to promote your book club, Intro Maker has got a video template for you.
Building a video from scratch requires time, skill, and knowledge of highly specific animation tools. Hiring professionals is expensive. Trying to do it yourself can take a ton of time. Fortunately for you, Intro Maker is here to help. I create premium video intro templates to help you produce better quality videos, faster!
There are a few reasons you should consider using Intro Maker as your YouTube intro maker. To summarize, there is no other place you'll find an intro maker for YouTube that is this easy, fast, or professional.
Because Intro Maker is small (run by one developer!), I can focus on a small niche and offer better quality intro videos than larger video makers that need thousands of templates for every possible video category. You don't have to subscribe to anything, and you don't even need an account to create a preview video. As of right now, Intro Maker provides video templates for the following use-cases:
Creating a video intro with our YouTube Intro Maker is super easy! After you pick a video intro, just fill out a simple form that will customize your intro video. In seconds, you will receive a preview of your customized video intro.
When you are satisfied with your video preview results, you can order the high-definition version (720p,1080p,4k60) without any watermarks! After a successful payment through our secure gateway, you will receive a unique link to download your HD video
Tutorial on how to make your own custom Universal Studio intro using only Blender 2.65a. You just need to donwload the files at Link1 and download blender at Link2 and follow my instructions. If you're good, it shouldn't take more than 5-10 minutes. Have fun with it, and please link back to me if you post it.
CCTV Camera Pros is the exclusive supplier of Viewtron CCTV / HD-SDI DVRs. Viewtron DVRs include some of the best DVR viewer applications available for Windows and Mac computers. Click on the below images to view demonstration videos and screen shots of the Viewtron DVR software in action and learn more about the 1080p high definition video support.
Viewtron hybrid DVRs support D1 CCTV resolution (720 x 480) when used with traditional analog CCTV cameras and full 1080p HD resolution when used with HD-SDI CCTV cameras. The below images can be used to compare CCTV vs. HD-SDI. Also note, Viewtron CCTV DVRs and hybrid HD-SDI models can be viewed and managed together using the CMS software that is included for free.
The universal look of this corporate animation is a great choice for a variety of production purposes. Branding your corporate films with this clean animation is a strong statement for any business and will make you look like a serious player in your industry. Use this simple and powerful corporate animation for all your videos and ads.
The British high-definition TV service started trials in August 1936 and a regular service on 2 November 1936 using both the (mechanical) Baird 240 line sequential scan (later to be inaccurately rechristened 'progressive') and the (electronic) Marconi-EMI 405 line interlaced systems. The Baird system was discontinued in February 1937.[1] In 1938 France followed with its own 441-line system, variants of which were also used by a number of other countries. The US NTSC 525-line system joined in 1941. In 1949 France introduced an even higher-resolution standard at 819 lines, a system that should have been high definition even by today's standards, but was monochrome only and the technical limitations of the time prevented it from achieving the definition of which it should have been capable. All of these systems used interlacing and a 4:3 aspect ratio except the 240-line system which was progressive (actually described at the time by the technically correct term "sequential") and the 405-line system which started as 5:4 and later changed to 4:3. The 405-line system adopted the (at that time) revolutionary idea of interlaced scanning to overcome the flicker problem of the 240-line with its 25 Hz frame rate. The 240-line system could have doubled its frame rate but this would have meant that the transmitted signal would have doubled in bandwidth, an unacceptable option as the video baseband bandwidth was required to be not more than 3 MHz.
In 1979, the Japanese public broadcaster NHK first developed consumer high-definition television with a 5:3 display aspect ratio.[8] The system, known as Hi-Vision or MUSE after its multiple sub-Nyquist sampling encoding (MUSE) for encoding the signal, required about twice the bandwidth of the existing NTSC system but provided about four times the resolution (1035i/1125 lines). In 1981, the MUSE system was demonstrated for the first time in the United States, using the same 5:3 aspect ratio as the Japanese system.[9] Upon visiting a demonstration of MUSE in Washington, US President Ronald Reagan was impressed and officially declared it "a matter of national interest" to introduce HDTV to the US.[10] NHK taped the 1984 Summer Olympics with a Hi-Vision camera, weighing 40 kg.[11]
Initially the existing 5:3 aspect ratio had been the main candidate but, due to the influence of widescreen cinema, the aspect ratio 16:9 (1.78) eventually emerged as being a reasonable compromise between 5:3 (1.67) and the common 1.85 widescreen cinema format. An aspect ratio of 16:9 was duly agreed upon at the first meeting of the IWP11/6 working party at the BBC's Research and Development establishment in Kingswood Warren. The resulting ITU-R Recommendation ITU-R BT.709-2 ("Rec. 709") includes the 16:9 aspect ratio, a specified colorimetry, and the scan modes 1080i (1,080 actively interlaced lines of resolution) and 1080p (1,080 progressively scanned lines). The British Freeview HD trials used MBAFF, which contains both progressive and interlaced content in the same encoding.[citation needed]
HDTV technology was introduced in the United States in the early 1990s and made official in 1993 by the Digital HDTV Grand Alliance, a group of television, electronic equipment, communications companies consisting of AT&T Bell Labs, General Instrument, Philips, Sarnoff, Thomson, Zenith and the Massachusetts Institute of Technology. Field testing of HDTV at 199 sites in the United States was completed August 14, 1994.[34] The first public HDTV broadcast in the United States occurred on July 23, 1996, when the Raleigh, North Carolina television station WRAL-HD began broadcasting from the existing tower of WRAL-TV southeast of Raleigh, winning a race to be first with the HD Model Station in Washington, D.C., which began broadcasting July 31, 1996 with the callsign WHD-TV, based out of the facilities of NBC owned and operated station WRC-TV.[35][36][37] The American Advanced Television Systems Committee (ATSC) HDTV system had its public launch on October 29, 1998, during the live coverage of astronaut John Glenn's return mission to space on board the Space Shuttle Discovery.[38] The signal was transmitted coast-to-coast, and was seen by the public in science centers, and other public theaters specially equipped to receive and display the broadcast.[38][39]
For example, 19201080p25 identifies progressive scanning format with 25 frames per second, each frame being 1,920 pixels wide and 1,080 pixels high. The 1080i25 or 1080i50 notation identifies interlaced scanning format with 25 frames (50 fields) per second, each frame being 1,920 pixels wide and 1,080 pixels high. The 1080i30 or 1080i60 notation identifies interlaced scanning format with 30 frames (60 fields) per second, each frame being 1,920 pixels wide and 1,080 pixels high. The 720p60 notation identifies progressive scanning format with 60 frames per second, each frame being 720 pixels high; 1,280 pixels horizontally are implied.[citation needed]
Systems using 50 Hz support three scanning rates: 50i, 25p and 50p, while 60 Hz systems support a much wider set of frame rates: 59.94i, 60i, 23.976p, 24p, 29.97p, 30p, 59.94p and 60p. In the days of standard-definition television, the fractional rates were often rounded up to whole numbers, e.g. 23.976p was often called 24p, or 59.94i was often called 60i. Sixty Hertz high definition television supports both fractional and slightly different integer rates, therefore strict usage of notation is required to avoid ambiguity. Nevertheless, 29.97p/59.94i is almost universally called 60i, likewise 23.976p is called 24p.[citation needed]
Non-cinematic HDTV video recordings intended for broadcast are typically recorded either in 720p or 1080i format as determined by the broadcaster. 720p is commonly used for Internet distribution of high-definition video, because most computer monitors operate in progressive-scan mode. 720p also imposes less strenuous storage and decoding requirements compared to both 1080i and 1080p. 1080p/24, 1080i/30, 1080i/25, and 720p/30 is most often used on Blu-ray Disc.
The massive amount of data storage required to archive uncompressed streams meant that inexpensive uncompressed storage options were not available to the consumer. In 2008, the Hauppauge 1212 Personal Video Recorder was introduced. This device accepts HD content through component video inputs and stores the content in MPEG-2 format in a .ts file or in a Blu-ray-compatible format .m2ts file on the hard drive or DVD burner of a computer connected to the PVR through a USB 2.0 interface. More recent systems are able to record a broadcast high definition program in its 'as broadcast' format or transcode to a format more compatible with Blu-ray.[citation needed] 350c69d7ab